5/24/2023 0 Comments Ableton drum rack standard notesGo to the Clip settings, open the Clip Groove drop–down menu, and select that groove of choice.ĭrag clips and Grooves from the Browser into Ableton's Groove Pool so you can apply amounts of their timing and velocity to your beats. To apply the groove you’ve selected, double–click your audio or MIDI clip and then go to the bottom of the screen. When its in the pool, you can adjust its quantization however much you’d like. Once that’s open, you can drag Clips and Grooves straight from the browser into the Groove Pool. In Ableton, you can open the Groove Pool by clicking the little circle with the two tildes (~) all the way to the left of the screen under your browser menus. Similar functionality appears in lots of other DAWs, as well. It’s always a good call to start with a lower quantization percentage to preserve as much of the character of your performance, and increase the percentage incrementally if needed.Ībleton Live’s Groove Pool lets you apply certain characteristics of a drum loop or audio clip - such as timing and velocity - to another audio or MIDI clip. This setting tends to result in a shuffled, bouncier beat than 100% 1/16th note quantization. If you played beats using a MIDI controller rather than step sequence them, try the “1/16 + 1/16T” quantization value at only 80% or less, rather than full quantization. Use the "1/16 + 1/16T" setting at 80% or less for a funkier shuffle than 1/16-note quantization. Just select all of the notes in your grid and apply that setting uniformly. It can probably help your beats, too.Ī 1/16th note swing tends to work well, but experiment with varying amounts of that swing. But it helped to make early Detroit Techno and Chicago House some of the funkiest machine music around. It was a feature perfected by Roger Linn on the MPC 60 back in the late ‘80s and is still a great trick today. The simplest trick to lending beats a human hand is to apply swing or shuffle. Playing around with swing and quantization can help rectify that robotic issue. If you’re programming drums with a step sequencing plugin, your beats will very much so sound like they are in time with a grid. The age–old wisdom when it comes to programming drums with a drum machine, sampler, or computer is that humans don’t play exactly on the beat and its subdivisions, no matter how good their timing is. By experimenting with some or all of the following techniques, you’ll breathe a little extra spirit into your beat, which is the most viscerally communicative element of music.Īll of these techniques are explained using Ableton Live - one of the more intuitive DAWs for working with rhythm - but most will apply in a similar fashion to other major DAWs. There are a variety of ways to make your beats and percussion feel more human to the listeners, even if the sounds themselves are still completely electronic. With so much software–based and beat–oriented music coming into the world, making your rhythms sound less like they were composed with a machine can go a long way in helping them stand out.
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